Warwick Streamer LX
Made In: Germany
Specs: Maple body, three-piece ovangkol neck, ebony fingerboard
Electronics: MEC P & J pickups, MEC 2-band preamp
Controls: Volume with push/pull for active and passive circuit, Pickup blend, Bass cut and boost, Treble cut and boost
A tale of two Warwicks. The Streamer is, in my mind, one of the great basses. It’s a wonderfully balanced and comfortable design with a lovely, aggressive tone which cuts through the thickest mix. I’m very much a fan.
This fretless is a mix of two basses. Originally, the body was a black and with a fretted neck, made in 2004. It was my first Warwick. It had seen a fair bit of action and needed a bit of TLC but it converted me to its wondrous German ways.
A few years later, I picked up the Streamer Stage 1 covered elsewhere and the two were tonally different, but close enough still to cover a lot of the same ground. A few years later again, I was fortunate enough to pick up a fretless Streamer Jazzman LX made in 2009.
There were some problems with the finish on the black body, so I decided to have it refinished in white and, when it returned, struck upon the idea of swapping the necks. It worked well, I preferred the sound of the P&J with the fretless neck and the Jazzman offered a range of new fretted Warwick tones I hadn’t had before. I think I’ll leave them like this for the foreseeable future.
The neck was originally unlined, but had been lined by the time I got it. This sometimes comes in handy when the standard of my fretless chops have slipped, even if it does feel a little like cheating. I think the classic Warwick growl works really well in the fretless context, even moreso than the classic Jazz tone we all know and love.