Made In: Japan
Specs: Alder body, maple neck, rosewood fretboard
Electronics: Yuta single-coil x 3
Controls: Volume, tone x 2, five-way switch
There’s business and there’s serious business. This one surfaced in Cork, of all places, for very little money but I didn’t have the cash at the time and tried to wipe it from my mind, thinking it would be snapped up immediately at that asking price. A month later, I noticed the ad again and it had the usual tyre kicker comments but looked like it hadn’t sold. I contacted the seller and, to my amazement, it was still available. I travelled down the next day. He opened the case, I saw the three-digit serial number and the deal was done straight away. I’ve contacted Bacchus looking for information but all they could confirm was it was a custom order.
At the risk of not making absolute sense, this is the strattiest strat I have ever played. It encompasses everything, in my mind, which defines a strat to the absolute maximum. It’s hard to articulate, to be honest.
It feels great. It has meaty C shaped neck, small frets, super thin finish with a real old vibe to it. Accordingly, the bridge pickup doesn’t go to a tone control and, while bright, is not unbearably harsh. The one modern concession made is a five-way switch. It’s stratty to a ridiculous level and entirely charming as a result.
This is serious business.