Made In: Japan
Specs: Basswood body, three-piece maple neck, rosewood fretboard
Electronics: Ibanez Lo-Z P+J pickups, YE262 EQBII preamp
Controls: Volume, blend, bass cut & boost, treble cut & boost,
The SR1300 didn’t really work out for me. I’ve long been a fan of the SR series but the one I always wanted was the SR800LE. This probably goes back to the late 80’s when they were wielded by the likes of Roger Patterson and Tony Choy on some of my all-time favourite albums. I do like the basic 2-band EQ too, though, and there’s just a purity to the design of the SR800 which appeals to me.
Having lusted after one for years, I finally encountered one in good enough condition and made the deal, this one coming from the Fujigen plant in 1989, the year I started playing bass. It’s a different beast to later SRs but, for me at least, it’s closer to what I want than what the SR range has developed into. I do like the new ones but this is the one I was always after.
The biggest difference is the neck. It’s a meatier neck than the too-skinny wenge neck on the mid-90’s SR1300 I had. It’s thin, for sure, but it’s much more rounded. There’s more wood under hand which works for me. I couldn’t really get on with the 1300 neck, proving just too thin for my hands. It’s the kind of neck which doesn’t cause fatigue in your hands. It’s quick and balances well.
I much prefer the red logo’d Lo-Z pickups to the AFRs which came afterwards. Again, it might be because of the sound of the Lo-Z pickups on some of my favourite albums, but this is the sound I like. In fact, it’s not too far away from a Warwick, tonally. There’s a lot of modern growl in there but it’s easily tamed by the simple onboard EQ.
While the outline of the body shape is the same, the contouring is vastly different to latter day models. There’s a pronounced forearm contour and the body is more of a slab than the refined and continually rounded bodies Ibanez make now. It’s very lightweight though, combined with Gotoh tuners and the robust Omni-Adjust bridge, is sturdy enough for any occasion.
It’s hard to believe this is a 26 year old bass. In some ways, the ideas employed on this bass are still far ahead of what other manufacturers are doing in 2015. Then again, this 26 year old design is the one which speaks to me moreso than their contemporary offerings. This is the SR I’ve been after all that time.