Yellow Strat

Yellow Strat

Year: 2016

Made In: Ireland

Specs: Poplar body, maple neck, rosewood fretboard

Electronics: Seymour Duncan SH-4 humbucker

Control: Volume

Cannibalised from my black strat, this guitar is the fluff cut from that guitar presented in fetching Monaco Yellow solely with gigging in mind.

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Green Strat

Green Strat

Year: 2016

Made In: Ireland

Specs: Poplar body, maple neck, rosewood fretboard

Electronics: DiMarzio Fred humbucker

Control: Volume

Built as a twin, this guitar is what I need from a gigging guitar boiled down to its functional essence. It’s three-piece hardtail poplar body mated with a maple neck with a rosewood fretboard, in a fetching Sea Foam Green finish. Points of failure are, hopefully, few and far between, with a single DiMarzio Fred humbucker providing the fire. For a while I did consider leaving out the volume control. No frills, basic and to the point.

Strat Building, Part 2

Happily, all the parts required were received in good time. The internet age has made building instruments a breeze, certainly as far as sourcing parts goes. As ever, Warmoth’s neck is really excellent quality.  This one is a standard maple neck with a rosewood fretboard – the old neck being quartersawn maple with an ebony fretboard. I was lucky to find one with a reverse headstock in their pre-built showcase section. I had 6105 frets installed.

I went with Gotoh for the bridge and tuners, they make solid, high quality equipment. The GFS bodies and Warmoth necks went together with minimal fuss with only minor tweaks to get the necks and bridge holes lined up. I did a minor fret level and dress on the new neck, rolled the edges a little, and I used a bar rather than traditional string retainer on both necks. It makes more sense to have a consistent break angle across the nut for all the strings than stick to an old idea for the sake of it.

Once the necks were on and lined up and lightly shimmed, it was straightforward to put the rest together. A single volume control ensured soldering the wiring together wasn’t an onerous task. Both necks have a similar feel and I have set them up as close as possible to each other, from nut to neck relief. Aside from the rosewood fretboard, the only other significant difference was using a DiMarzio Fred in the green strat, my trusty JB from the black strat moved into the yellow one. Both are tuned down to A with 14-68 strings.

Job done and I’m very pleased with both. Time to put them through some live testing!